32 Women from 24 Countries, and One Beautifully Researched Book

It is easy to lay our hands on stories from USA, UK and the like – but what about stories from countries such as Chile, Lebanon, Malaysia, Nigeria, Argentina, Belarus, Tunisia, Eritrea? Did you even know of a country called Eritrea? I did not. But that country and its people also play a crucial role in making our planet what it is.

Recently I had the good fortune of meeting 32 wonderful ladies from 24 countries thanks to a Hindi book Syaahee Kee Gamak (meaning The Fragrance of Ink) by Yadvendra Pandey. This is a collection of 32 short stories by 32 women authors from 24 countries translated into Hindi. These are writings by contemporary women authors who have been significant voices of protest against the status quo in their local societies and our collective global society. These are agents of change that we would not easily hear of for we don’t generally bother about these countries (other than to seek exotic holidays), or such voices. That this is a Hindi book, bringing this wide exposure to a Hindi audience, makes it even more significant and crucial.

As soon as one picks up the book and starts flipping through it, it becomes evident that immense hard work has gone into putting this book together – both in the prior research and finalization of stories and in the actual work of translating the final selection into Hindi. That Yadvendra ji has managed to create a beautiful bouquet of sense and coherence out of the cacophony of the internet and social media makes his work even more commendable. In doing so, he enabled me to connect to the heart-minds of ladies in far-flung countries writing in myriad languages. I am so grateful for that. I felt enriched. I feel that my horizons have expanded, and in doing so, it is not at all surprising to find, yet again, that we are all essentially the same.

Initially, the most rewarding thing about the book for me was the introduction text about each author that precedes each story. Each of them achievers in their societies and chosen fields. Reading about these women from these lands, it felt like I am connecting to them – this pulled me in to continue reading. The stories that have been selected are all excellent too. Most of these are second-order translations – i.e., the original language is not English and Yadvendra ji has translated the English translations into Hindi. Even then, the beauty of the language, structure, thought, plot, expression all shines through. This speaks to the skills of the first-order English translator, the second-order Hindi translator and the art and craft of the original writers.

What guided the selection of these stories? What ties them together? A short poem on the back cover of the book answers that question –

I am talking to you about poetry
and you say
when do we eat.
The worst of it is
I’m hungry too.
~ Alicia Partnoy (Argentina)

That is the thing – a simple message – that there is a lot else that women are also interested in, hungry for, other than food (and sex).

Yadvendra Pandey has, for years, been interested in creatives who protest the status quo – consuming content from literature, plays, film, social media, even spoken poetry and Black rap. What a fascinating change from his previous avatar as Chief Scientist at CBRI Roorkee! As he followed these creatives through various avenues on the internet, he was especially impressed by the thinking, expressiveness, decisiveness of women at a global level. He felt it was important to bring their voices to the Hindi world, especially since, in contrast, he felt that women authors in Hindi were largely restricted to writing only of freedom of the body. This is not the best representation of global female literature, Yadvendra Pandey makes sure he clarifies, just the best out of what he has read – vignettes of what world is, as seen through the eyes of (some) women.

Yes, some of these stories can be labelled as feminist, but they are just matter of fact (yet beautiful) accounts of how things are. They are not screaming out anything in opposition to anyone. I generally cringe from feminist writings because I dislike the chronic wearing of the victimhood cloak. Even then, many of the stories touched me. Then there are several stories which are not about the experience of women per se. There is a story about a man who works in a censors office during the height of political conflict (in Argentina). His initial objective is to make sure a letter that he has written gets through censorship, however, sincerity at work is so intrinsic to his personality that working diligently totally ends up brainwashing him! There is a story about a boy servant from rural Nigeria who has curious ways. When his domestic employer gives him the choice to go out into the world and make a life of his own, this boy chooses to join the army. However, his life steadily rots away, again due to political conflict and regimens making inhuman use of army personnel. His plight unfolds via letters he writes back to his boyhood employer.

One story that I especially liked – The Fear of Ghosts, from Myanmar, by San San Nweh – paints a poetic picture of an evening in a slum. It is hot and humid, there is load shedding, people are sitting out of their tiny dwellings to get some breeze. Children and young boys are playing, and a mother is apprehensive of mishaps via snakes or other dangers in the dark alleys and corners. She tells the children to go play in a newly constructed park nearby. The children refuse to go. Snakes and other dangers in dark alleys do not worry them, but they are petrified of going to that park. It is just round the corner but it is an alien and dangerous world nevertheless, because this park is a part of a more affluent society and they intuitively know that they are not welcome. In fact, they cannot forget a friend who had been killed there. They can still see his ghost near the park that reminds them that they must not go there. That simple, nice, new park of the city is not for them.

But net total, my takeaway from the book was one story – Woman and Cycle, by Bridgette Atkinson from Britain. A woman learns to ride a bicycle. This gives her a new freedom and she loves to go riding. Her husband is uncomfortable about this and follows her discreetly one day. He finds that she goes to a secluded rocky place nearby, very green, with a narrow stream flowing. He is suspicious of his wife. Who is she going to meet? However, he finds that she is dancing – alone, in total joy with herself and nature. Startled by what he sees, he quietly returns home.

One might take the message from this story that yes, see, husbands oppress their wives. Society is so cruel towards women. A simple joy of riding a bicycle is a hard-fought freedom for a woman. But the message I take from the story is that, yes, see, live your joy. The simple act of living your joy can transform people – for surely the man who returned seeing this beautiful, divine facet of his wife, must have gotten transformed. How did that seeing change him, we do not know, but he changed – this is for sure.

Read the book. It is totally worth the time and money to connect to the voices and minds of these ladies from distant lands. If you primarily read Hindi, then surely read it. If you know how to read Hindi, but do not primarily read content in Hindi, then give yourself a gift – visit Hindi once again via this book, for the language is easy. This way or that, it is worth it.

Of Writers Who Talk Too Much, and A Writer Who Brings The Wide World Into Hindi

As he critiqued the book, this speaker complained that in too many prose writings these days, the writer is talking too much!

Yesterday I attended a book event at Saahityikee (a Hindi literature group in Kolkata). It was based on a book that has been published recently — स्याही की गमक (Syaahee Kee Gamak) — a translation of 32 short stories by established and currently active women authors from all over the world. The translation has been done by Yadavendra Pandey, a retired scientist and active translator based in Bihar. One of the good things about the book is that he has chosen authors and stories from nations that are not represented much in the Hindi literature world of translations. So there are stories in the book, by women from Iran, Nigeria, Sri Lanka, Estonia, for example.

Before the author himself spoke at the event, three people presented their critical talk on the book at the invitation of Sahityikee. When the first lady spoke, I was slightly disappointed. Firstly she was reading her prepared article, and her eyes were down 99% of the time. She wasn’t talking to the audience. Second, she focused on women’s lib, and that women should be liberated this, this, and this way. She complained about the first story which did not suggest a solution to the problem portrayed, and I was thinking, “Come on. All stories are not meant to suggest solutions and portray characters that evolve from being weak to empowered. Some can also just paint a small picture of how it is and leave it at that.” Of course, all parameters considered, we all operate at any given moment, to the best of our abilities, to the best of our knowledge — so no complaints regarding the first speaker — but as her talk progressed, I got the impression that the book only contains stories of नारी की पीड़ा (the plight of women). I started repenting having purchased the book.

The second speaker, a teacher / professor was speaking directly to the audience, so that was pleasant. Also, the point she was making was more balanced and interesting, so now I was paying more attention.

Then the third speaker, also a teacher / professor I think, highlighted some points that were really interesting. He talked of the technical aspects of the first story in the collection. First, that the story relates a time span of only 10 pm to 11:55 pm of a particular day — this in itself is so interesting. Movies have been made relating events of one day etc., but this story spans only 2 hours!

Second, he highlighted that in this story (and many other stories of the book) the author is not talking. The Iranian author of this particular story, is a script writer anyway. The story is written in the form of a script, and script writers do not have the liberty to speak themselves, i.e. they must only relate what is happening, and only their characters are permitted to talk. As he critiqued the book, this speaker complained that in too many prose writings these days, the writer is talking too much! “लेखक आजकल बहुत वाचाल हो गए हैं। वे हावी हो जाते हैं।”, he said. The story, characters, setting take a backseat and the writer is too intent to put forward his opinion.

This is an oft-given advice for honing our creative writing skills — ‘Show, Not Tell’. The more an author can show (via her words) what is happening, rather than telling, the more effective a piece of writing. So for example, it is much more effective to write ‘She shivered even under the thick coat’, than to say, ‘It was very cold that day’.

As the speaker continued, I realised, this is one of the big reasons why I am not writing these days — to evolve one’s writing from mere telling to actual showing is hard work! Without that, the writing often feels too insipid. The speaker also highlighted some stories in the book that were not about women, such as the story of a small Lama boy who befriends monkeys, written by an author from Sri Lanka. This story had become very successful and soon found its way in textbooks there, but was later withdrawn because the Buddhist community chose to get offended by the story. I started looking forward to reading the copy I had purchased — not because of caretakers of religion taking offence mind you, but because it was good to know that there were stories where the woman and her social plight was not the focus.

The translator himself, Yadavendra Pandey, came next. He shared how he chose the stories for the book and how he read several works by the original authors and saw interviews with them to tune into their thinking and cultural context. He also he shared his process of translation which is essentially a re-creation rather than translation. This explained why all the stories in the book seem to be written by the same author, a point made by the third critic, despite such a wide variety of original authors and countries having been represented. Yadavendra ji also spoke of some of his future projects which all sounded worth looking forward to. I discovered that he first started his translation journey by translating poems. So I have to track down some of those poems and see if I like any for Kaavyaalaya.

It was an evening well-spent and I am glad and grateful that I can stay in touch with Yadavendra ji now (if I put in the effort to do so). As regarding this book — it is to be seen whether I like it (or not), (if I put in the effort to read it). If it turns out to be an effortless read, then great! Right now, thank you to Sahityikee for organising an enjoyable, fulfilling evening — for widening my window to the Hindi world.

Syaahee Kee Gamak by the way, means the aroma of ink. Nice title. I didn’t know gamak means fragrance, aroma.

A Beautiful Mind – Not A Book Review

Last week I finished reading A Beautiful Mind. It is a biography of John Nash written by Sylvia Nasar. John Nash was a mathematician who made fundamental contributions to several fields of mathematics. His work in game theory has had a tremendous impact in economics. He was awarded the Nobel Prize in Economics in 1994. Thing is, from the age of 31 to 62 he was besieged by schizophrenia and lived a life thoroughly lost to the world.

This is an astounding story of redemption, so very competently crafted into a detailed, thoroughly-researched saga. I was filled with a deep sense of gratitude when I finished reading the book. So I had a tiny exchange with my boss –



You are beautiful. So kind and loving. इतना सुकून महसूस कर रही हूँ after having read John Nash’s biography. Thank You for putting the book in my hands. Thank You for restoring his life. Thank You for making him the way You made him. Thank You for giving him that self-awareness that he learned to say no to his delusional thoughts, thought by thought, each time they occurred. Thank You for mending his relationships — that he finally became a supportive husband and father, with his quirks. That he finally had a good relationship with his sister. Thank You for Alicia. Indeed there is only Your love that blossoms across the universe in different ways. Thank You to Princeton and the whole mathematics community that kept him, let him stay and wander its corridors through all his dark days. Thank You to USA that brought him back when he was insistent on becoming stateless — though I fully understand the purity of that thought, of wanting to become stateless.

Thank You for Sylvia Nasar, for having her write such an excellent biography, with such in-depth research, thorough references, no words minced — all things beautiful and ugly relayed as it happened, no candy-flossing — right down to all the behind-closed-doors drama of the prize decision, showing me how Your hand is there in everything that transpires. Those adjectives, beautiful and ugly, I have inserted them. She related the whole thing almost totally as a true journalist — not just what happened in the outside world, but also the inner dynamics of the brain, how it feels inside for the person dealing with such a condition. All the informational sections of what the research world in USA was like in the 1940s, 50s, the sharing of the mathematics in a manner that laymen may comprehend, how game-theory has impacted economics, including Al Gore’s auctioning of wavelengths right at the time when the Nobel was being awarded were also so valuable and gratifying to read. Thank You for all of that — though I skipped several pages in between.

Thank You for the pointers and takeaways of how I can live a better life. Filter out every thought of warring family members and the sense of being alone (because it is a delusion), and give my mind to You, for Your beauty to flow.

You are most welcome. It is all because I love you.


By the way, John Nash also invented a game called Hex. It is very easy to play. I played with my nephew Dhruv and he beat me at it. Dhruv and I both lost to the computer. See if you want to give it a try.

How I Started Reading My Favorite Fat Spiritual Book

Those days, moments and settings of my childhood used to flash back to me vividly. So I wasn’t surprised that yet another moment from my childhood had presented itself in my mind. That moment put me in the grips of fear.

Emotions constantly change form. Even within seconds. So ok, that moment from childhood had presented itself and had generated a gripping fear in me, but I expected the moment to fade away. I expected the fear to change form. It did not. One week passed and the fear continued to grip me in its clutches in exactly the same way.

Calling the people involved in the moment from my childhood and demanding, “Why did you do this!” would not have helped. I had already communicated their impact on me some months ago. That moment in the past had occurred. Point is, I was in the clutching grip of fear right now. It was my present problem. I had spoken to my counselor about it and while she acknowledged my feeling, so what? I was still in the exact same grips of fear.

That is when I ultimately picked up this book to read: A Course In Miracles.

A miracle is a switch in the mind from fear to love, from the false to the truth. This course teaches how to make that switch. I had read about A Course In Miracles (ACIM), from another book, A Return To Love by Marianne Williamson. Marianne told me this book, ACIM, teaches that there are only two primary emotions, fear and love, and it teaches how to make a switch in the mind from fear to love. Now whether I was interested in love or not, I sure wanted this fear to budge. No other option seemed to remain. Days passed and the fear had not budged in the slightest. So I started reading this book.

A Course in Miracles is my favorite fat spiritual book. Some months back I had shared with you my favorite thin spiritual book, Vigyaan Bhairav (The Science of Shiva). That book, is only 17 pages thin, so it took only one article to share it with you. This book, A Course in Miracles, is 1180+ pages thick, so it will take a little more than one article to share what I like about the book and how it has helped me.

The book is divided into two main parts. 1. The text. 2. Workbook for students. Today I end this post by sharing one teaching from the workbook.

“I am not alone in being affected by my thoughts.”

I meaning me, I meaning you, I meaning us. Each one of us. We are not alone in being affected by our thoughts.

Not only are we responsible for our speech and actions, not only does our speech and action impact our life and the lives of the people around us, and the world — each thought we hold impacts us, the people around us, and the whole world. Even if we do not get up and go out of the room and articulate the thought to anyone. Whether we like it or not, that is the way the universe functions.

I am not alone in being affected by my thoughts.

You are not alone in being affected by your thoughts.


Next post in this series:
How He Endeared Me To Himself

Image credit: Mohamed Hassan from Egypt, via pixabay.com

Thank you Albert

I finished reading Writing As A Path To Awakening by Albert Flynn DeSilver yesterday night. Even while reading it I had felt driven to contact the author and thank him – and so I did. He requested me to post a review on Amazon. So I sat down today morning to keep my word. This is what I wrote (or in his terms, freewrote). It is not quite a review, but the book is quite a book.

If writing is of interest to you to any extent, I recommend it highly. If you love reading, then too I recommend it to you. I think every person who loves reading has a writer lurking inside. This book will kickstart that writer in you. At the very least it will give you further confidence on your unique journey of self-expression.

This is the non-review I wrote today morning.


Thank you Albert.

If you could hear the heavy, solemn sound of my voice, born of sincerity – if you could see my eyes right now, filled with a soft, deep, vast gratitude – if you could enter into my chest and mindheart, then I would have to say just these three words in response to your book that is now mine –
Thank you Albert.

Now that this book is mine, not made by me but by a power divine, I can gush at its utter beauty the way I gushed with fascination at my new born niece, a fresh package of divinity.

See, this is what your book has done to me. I don’t want to write a well thought out, erudite, balanced review. The only thing I want to do, without having done any of the meditations and writing exercises yet, is to talk to you directly – to bring my true, natural, beautiful self to you as effortlessly as I can, and simply say –
Thank you Albert.

I could tell you that I have finished journeying through the twelve months you created within a few days, riding on the wings of your words so filled with grace that they took me to the sky I love, they took me to the sky within. I could tell you that I collected so many jewels on this journey as I kept highlighting lines to revisit, that at times it seemed I will turn the whole page and book orange. I could tell you that I intend to embark on this journey with you once again, to do at least some of the writing exercises – for sure the ones on editing, on death and sanctuary, on the elements and senses – but all this telling is immaterial.

The only thing material is gratitude – and being One.


Dear reader,

I recognize that this might not function as a very useful book review. All I have to say right now, as you may have gathered from the effusive outpouring above, is that I highly recommend it. If you resonate with the act of writing as a way of delving into yourself, irrespective of whether you want to make something concrete with it or not, get yourself a copy of this book.

The Science of Shiva – My Favorite Thin Spiritual Book

कहें न तुमसे तुम्हारी बात तो किससे कहें हम?

Shivji is one heck of a cool dude. You see, I have a teenage crush on Shivji that endures. So when he says, “O Beloved, put attention neither on pleasure or pain but between these, I feel this warm glow all inside.

He’s addressing me as beloved! Oh how nice!

What are you talking about Vani??

My favorite thin (ultra-thin) spiritual book. It’s called “Vigyaan Bhairav”, which means “Science of Shiva”.

The original is in Sanskrit, but hold on, don’t go away yet. We aren’t going to get all high brow, scholarly and stuff. In fact it’s because of its utter simplicity that I love this book – and there are many kind and sweet ways that it is accessible to us without having to bother about the Sanskrit.

Shakti (Durga, Parvati, The Supreme Feminine Force) poses a question –

“O Shiva, what is your reality?
What is this wonder-filled universe?
Who centers this universal wheel?
How may we enter it fully, above space and time, names and descriptions?”

Essentially she is asking him to spill the beans. She is asking him to tell us “the theory of everything”, the one final answer to all questions anyone may ever have.

And then Shiva answers –

He gives 112 short simple ways whereby we may know the answer ourselves by experiencing it. In short, his answer just boils down to this –

Be aware. Experience completely. Receive fully.

He does not directly answer the question ‘What is your reality? Who centers the universal wheel?’ – for if we just heard that, bereft of experience it would just be information and theory to us. He tells us ways in which we can enter his reality, ways in which we can arrive at the center of the universal wheel – above space and time, names and descriptions – and thereby we can directly reach the answer experientially. Nowhere in the book does he say, “I center the universal wheel. This is my reality. Worship me (or anyone or anything for that matter)”. I told you, he’s a cool dude.

.

Observe. That is the bedrock of science. Observe as much as you can, as minutely as clearly as you can. On a personal level that converts to – be aware, experience completely. Be as acutely aware, of as much in you, around you, as you can.

Scientists use various instruments to observe – be it the grand Hadron Collider at CERN or the hapless rickety Voltmeter in the school lab. We too have been bestowed with superb instruments to observe with. The grandest, big daddy of them all being – our mind. And a plethora of other superb instruments too – eyes, ears, skin…

We just have to tune our instruments and use it completely. When we do that, we directly reach the reality of what is Shiva, along with resolutions to life problems required enroute.

To solve a problem, we have to know the problem. To know the problem, we have to observe the problem. And that applies to whatever hassle we may be experiencing. And even if everything is hunky dory and you are filled with wonder at our wondrous universe and want to know what drives it all – the ultimate question of science, “the theory of everything” – Shiva tells us how you can straight away, bang on, arrive at it. At the center of it all. Not only do you get to know the theory of everything, you get to directly connect with everything, you get to become everything.

It all boils down to tuning our instruments and using it. One simple way that Shivji gives to tune our big daddy instrument, our mind, is – be aware of your breath.

The first four verses of his answer are all different ways of saying, be aware of your breath. Here is the first –

1. Radiant one, this experience may dawn between two breaths. After breath comes in (down) and just before turning up (out) – the beneficence.

Whenever I do that, whenever I choose to become aware of my breath, I feel a sense of calm. Ok, relative calm. Things do not feel as overwhelming. I feel his presence. Be aware of your breath.

Imagine a rickety voltmeter gone rogue, jumping all over the lab. That’s what our mind is like most of the time. What kind of an answer to anything will we get using that instrument? What kind of problem solving will it manage to do? Even if someone is blaring the answer we seek at top volume, we won’t be able to hear it. Cause the voltmeter (which has a radio transmission receiver built into it) won’t be able to receive any radio transmission. We gotta tune the radio.

A way to do it – be aware of your breath.

Dear reader, I invite you – pause a second, become aware of your breathing – no need to close your eyes, take on a posture or any such thing – be aware of the movement in your chest, or your tummy – whichever moves more. Just five breaths. In and out.

Being aware of just five breaths, in and out, being aware of just one breath, has tremendous power.

Then Shivji, in Vigyaan Bhairav, gives some further ways to arrive at the center of the universal wheel, above space and time. Here are some that I particularly like. It all boils down to – Use your instruments! See! Listen! When eating something, taste it completely. When having sex, experience it so completely that the fire burns in you forever. Feeling like a rag doll? Well experience that completely.

16. In the beginning and gradual refinement of the sound of any letter, awake.

17. While listening to stringed instruments, hear their composite central sound; thus omnipresence.

22. Consider any area of your present form as limitlessly spacious.

27. When in worldly activity, keep attentive between two breaths, and so practicing, in a few days be born anew.

37. Look lovingly on some object. Do not go on to another object. Here, in the middle of this object – the blessing.

41. While being caressed, sweet princess, enter the caressing as everlasting life.

43. At the start of sexual union, keep attentive in the beginning, and so continuing, avoid the embers in the end.

45. Ever remembering union, without embrace, the transformation.

46. On joyously seeing a long-absent friend, permeate this joy.

47. When eating or drinking, become the taste of the food or drink, and be filled.

50. At the point of sleep when sleep has not yet come and external wakefulness vanishes, at this point being is revealed.

51. In summer when you see the entire sky, endlessly clear, enter such clarity.

52. Lie down as dead. Engaged in wrath, stay so. Or stare without moving an eyelash. Or suck something and become the sucking.

59. Simply by looking into the blue sky beyond clouds, the serenity.

62. In rain during a black night, enter that blackness as the form of forms.

67. Feel yourself pervading all directions, far, near.

79. Toss attachment for body aside, realizing I am everywhere. One who is everywhere is joyous.

82. Feel the consciousness of each person as your own consciousness. So, leaving aside concern for self, become each being.

91. Wherever your mind is wandering, internally or externally, this.

92. When vividly aware through some particular sense, keep in the awareness.

96. Devotion frees.

98. The purity of other teachings is as impurity to us. In reality know nothing as pure or impure.

100. Be the unsame same to friend as to stranger, in honor and dishonor.

101. When the mood against someone or for someone arises, do not place it on the person in question, but remain centered.

104. Wherever your attention alights, at this very point, experience.

108. Here is a sphere of change, change, change. Through change consume change.

109. As a hen mothers her chicks, mother particular knowings, particular doings, in reality.

110. Since, in truth, bondage and freedom are relative, these words are only for those terrified with the universe.
This universe is a reflection of minds. As you see many suns in water from one sun, so see bondage and liberation.

112. Beloved, at this moment let mind, knowing, breath, form, be included.

.

.

Did you sense a deep silence and wide expanse in those words?

There is tremendous transformative power in receiving our experiences completely. As we do it (even if just sometimes) over time it creates a shift, a transformation within. We start seeing the same things that have been in our life all along, in subtle but significantly different ways. There is power shining everywhere and every once in a while we are able to connect to it. A wide expanse opens up and our mind gets transformed in unimaginably gorgeous ways. We feel unlimited. We become unlimited.

Then, in the original Sanskrit, at the end of all his answers, Durga “कण्ठे लग्ना” – i.e. filled with gratitude, she embraces him, she hugs him tight.

That is exactly what happens. We are overcome by gratitude.

That sure is what happens to me. उनके बस गले लग जाना, ज़ोर से – और क्या चाह सकती हूँ मैं?

विस्तृत होकर मन मुस्काया
छा जाती नभ सी यह काया
मैं बस वाणी – मन भरमाया
मैं तो हूँ ब्रह्माण्ड समाया


Zen Flesh Zen BonesDear reader, the excerpts that I have shared with you here are from the book Zen Flesh Zen Bones which consists of four parts (it is not 4 parts as in 4 printed separate books – there are 4 parts within this one book Zen Flesh Zen Bones).

This, a very simple, extremely pared down translation of Vigyaan Bhairav is the last, 4th part of Zen Flesh Zen Bones titled “Centering”. 18 printed pages. That’s all.

There are other ways in which Vigyaan Bhairav is accessible to you too. There is a version available from Bihar School of Yoga / Bihar Yoga Bharati where the original Sanskrit is given with short explanations in English after each shloka. Osho Rajneesh has written a commentary on Vigyaan Bhairav where he has extensively expanded on each of the 112 shlokas and ways of going beyond space and time that Shivji gives. I have cursorily glanced at both these versions. Both are very nice. There are others too.

Sri_Vijnana_Bhairava_Tantra
Book of Secrets - Osho
Vijnana Bhairav - Lakshmanjoo

Personally, I am satisfied with these 18 pages in Zen Flesh Zen Bones and do not feel the need to delve into other more scholarly discourses. I really like the way the authors of Zen Flesh Zen Bones (with the help of a teacher Lakshmanjoo, in Kashmir), have pared down the verses to bare minimum words. It makes the spirit of the message that much more accessible to me. It enables me to stay near silence, near him – unentangled with words and form.

The Science of Shiva – Observe. Experience. Receive fully.


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Image credit: Shiv Shakti by Updendra Ratra